Curator and Manager, Visual Resources Library, City College of New York

Curator and Manager, Visual Resources Library

The City College of New York

New York, New York

Closes 10/28/2011

Curator and Manager, Visual Resources Library

Maintain Architecture Visual Resources Library.  Catalogue and update the slide and digital collection.  Provide tutorial services in using the library collection and equipment.  Supervise staff.  Evaluate digital image collection in order to maintain quality and overall balance.  Provide reference services for faculty and students.  Provide research and obtain images for faculty symposia and publications.

QUALIFICATIONS

BA -Liberal Arts, 5 years experience as same or as assistant Curator required. Must be familiar with metadata standards and proficient with cataloging software, particularly Embark Cataloger and ARTstor Shared Shelf.

HOW TO APPLY

Attn: Peter Gisolfi, Chair, Architecture
The City College of New York
141 Convent Avenue,
New York, NY 10031

EQUAL EMPLOYMENT OPPORTUNITY

We are committed to enhancing our diverse academic community by actively encouraging people with disabilities, minorities, veterans, and women to apply.  We take pride in our pluralistic community and continue to seek excellence through diversity and inclusion. EO/AA Employer.

http://www1.ccny.cuny.edu/jobs/MP-141101.cfm


Help save the fine arts and music libraries at the University of Florida

The University of Florida plans to close the Architecture and Fine Arts and the Music libraries, sending all of the books to the very busy and Starbucks-supplied Main Library and causing the loss of 15,000 sq. ft. of collaboration and study space.  All while the football coach Will Muschamp gets roughly $2.75 million a year and the University increasingly concentrates on the Science, Tech, and Medicine to the detriment to all other fields.

An architecture student on our campus has already set up an online petition at – http://tinyurl.com/saveUFlibraries

And the local newspaper story — http://www.gainesville.com/article/20110831/ARTICLES/110839864?p=all&tc=pgall

And here’s the “wikiLeaks” data surrounding it all — http://afalibrarywatch.blogspot.com/


Summer Archival Internships at Museum of the City of New York

Archival Internships
Museum of the City of New York
Summer 2011

Internship Description:

The Museum of the City of New York is currently seeking two library school students interested in a summer archives internship. Interns will work with the Museum’s Theater Collection or Manuscripts and Ephemera Collection and will have the opportunity to gain experience in cataloging, handling fragile objects, evaluating the condition of the object for conservation and preservation, collection processing, and/or writing finding aids.  Interns may assist with reference inquiries and the Museum’s ongoing digitization project, as needed. Projects will vary according to an individual’s skill set and interests.

About the Collections:

Theater Collection

The Museum’s Theater Collection documents theatrical activity in New York City from the late 18th century to the present day. Tracing the relationship between New York City and the theater, collection holdings include: over 5,000 costumes and props, costume renderings, theatrical posters and window cards, drawings and photographs of theatrical personalities, a Yiddish theater collection, and 17,000 folders documenting local productions since the 1800s.

Manuscripts and Ephemera Collection

These objects document the day-to-day life of New Yorkers over the last 300 years with the bulk of the materials dating to late 19th and early 20th centuries. The ephemera comprise a variety of formats, including print material such as menus, invitations, pamphlets, and handbills; textiles such as pennants, sashes, ties, and scarves; and three-dimensional artifacts such as badges, buttons, children’s identification tags, and promotional items. The manuscript collection includes papers of influential New Yorkers and their families.  The subject of the material encompasses a wide scope of events and subjects pertaining to development of New York City.

Requirements:

Each internship requires a minimum commitment of  one full day a week (7 hours), scheduled during the Monday – Friday workweek. Internships are unpaid. Preference will be given to students completing the internship for course credit.  Candidates must be currently enrolled in a Masters program for Library Science. Interns must be able to lift boxes weighing up to 40 pounds.  Students with a focus in Archival Studies are encouraged to apply

To be considered for this opportunity, please send a cover letter and resume to Morgen Stevens-Garmon, Theater Collections Archivist at mgarmon@mcny.org.


Deadline Extended: Be a part of the ArLiSNAP Focus Group!

ArLiSNAPPERS: We need your voice!

The Strategic Planning Committee is specifically targeting ArLiSNAP to provide feedback that will impact the future of the society! Please consider taking part in a one hour ArLiSNAP Focus Group conference call the week of April 18-22.

To sign up, please complete this Doodle indicating your availability:

http://www.doodle.com/aduiyn64tch7z8pd

From your ARLISNAP colleagues and Strategic Planning Committee members,

Jamie Lausch
Jennifer Garland

++++++++++

A note from the ArLiSNAP coordinators:

Everyone, please take this opportunity to become a part of this focus group. This type of engagement is exactly the kind of thing students and young professionals need to become an important part of the community. The Strategic Planning Committee is working hard to give our group a forum for discussions and suggestions that can help shape the future of ARLIS for the better.

Help make sure that ARLIS/NA is representing us.


Report on “Defining Digital Humanities” lecture at Columbia

Today I went to the “Defining the Digital Humanities” lecture at Columbia University in New York City. It was a really interesting and thought provoking talk, and I thought it would be worth sharing with y’all.

Dan Cohen is a professor at George Mason University and Director of GMU’s Center for History and New Media.

The bulk of Cohen’s talk was on the variety of ways in which new technologies have aided the study of Humanities and allowed scholars new insights into their fields.  For example, through analysis of large bodies of knowledge, namely texts but also other media.

The example Cohen gave included a graph of how the use of the word “Christian”  in the titles of books decreased during the 19th century.  His point was that given a starting point like that, the researcher could then switch to a close reading to investigate for a possible language and cultural shift that could accompany the data.  To Cohen, aggregate data analysis is only one of the skills in a researcher’s toolbox, but one that allows researchers the ability to differentiate anecdotal evidence from overall trends. Cohen believes that the skills necessary to harness digital humanities will be taught/should be taught in graduate school along with, say,  paleography.

Other projects and technologies brought up by Cohen:

  • Papers of the War Department – This represents the possibility of bringing together a large number of objects that are geographically dispersed into one database where they can be found more easily.   The Papers of the War project is meant to re-create the official documents of the War Department of the United States before its office and all its records burned in a fire.  The office’s papers can be mostly reconstructed because two copies were made of each document, one for the War Department and one for the recipient.  The database allows for research that previously had been prohibitively expensive, as large numbers of documents are available for analysis without having to track down every archive that possesses a document from the War Department.
  • Omeka – a free, open source publishing platform that allows for easier remixing of data, such as plugging in a map to help analyze existing data and look for patterns.
  • Born-digital media is very fragile but also can be very useful. It tends to be more useful or more managable in aggregate.  Example: President Johnson’s White House had 40,000 memos, President Clinton’s White House had 4 million electronic memos.  It is impossible to go through 4 million memos using traditional means.
  • Zotero - a favorite of Columbia staff – possesses the ability to strip semantic data from the web to help users deal with the heterogeneous mixture of media and data present on the web.
  • Scholarly Communication is a field that can benefit greatly through the application of digital humanities.   Cohen encourages his graduate students to blog and create a web presence.  Blogs and other social media are useful because  they allow for a more interdisciplinary conversation.  Cohen also recommends The New Everyday, that is, a media outlet for short essays (1000-2000 words) and multimedia,  and
  • Twitter can be very useful, because of its ability to quickly query a large number of people for hard-to-research information.  Jay Rosen at NYU’s School of Journalism uses Twitter to run a “flying seminar” what over 50,000 people follow.
  • Digital Humanities Now

Federica Frabetti is a professor of Communication, Media and Culture at the UK’s Oxford Brookes University. Most of her talk seems to be taken from this article.

Her presentation primarily focused on a humanities analysis of technology, and the ways in which the humanities can be critical of and shape technology.

Increasingly, the digital humanities is stabilizing and increasingly being embedded in the University, becoming part of the discourse about universities when universities are increasingly multinational and in crisis.  This is problematic because given humanities’ intimate ties with universities, they run the risk of becoming part of the greater discourse on higher education.  The field of digital humanities is also solidifying in a way that is problematic.

Frabetti pointed out that globalization itself requires the innovation from digitization to make itself financially feasible.

She cites Gary Hall from Culturemachine.net, asking the question of what humanities can bring to the study of computer science and how hey can shape technological development.  Frabetti calls on humanities scholars to not only understand how to use software, but also to understand how it works and analyze how software shapes the human being.   She also goes on to discuss the writings of Stiegler and Tim Clark (from Deconstructions: A User’s Guide), namely that Western thought is based on the Aristotelian idea of separating technical knowledge from epistemology, and that tools do not shape the person who wields them.  This is of course problematic given that increasingly we feel like we have created Frankenstein’s Monster, that the technology that we have created is increasingly affecting us in negative ways.

As a parable, Frabetti brings up the novel, The Turing Option in which the protagonist, Delany has a computer installed in a part of the brain he lost in an accident.  Delaney must then relearn all that he had previously learned.  Ultimately, however, Delaney finds that he can never reconstruct the brain he once had; there is no way to reconstruct his original self.  This story brings to light a process that is always happening in humans: we are always reconstructing our brains and changing our minds.

Frabetti questions the assumption about the instrumentality and rationality at the core of digitization.  There is a gap between technology and language, and there needs to be space for self-reflexive digital humanities.  Also, it is necessary to examine universities’ role in digital creation, given their increasing political significance.

Dino Buzzetti is formerly a professor of Medieval Philosophy at the University of Bologna. The article on which his talk is based can be found in Project Muse.

Buzzetti follows in Manfred Thaller’s footsteps in saying that the purpose of computer science is to create algorithms and systems, but for digital humanities, these algorithms and systems must be built around the disciplines they wish to incorporate.

The digital wishes to create a simulation of the text it presents.

Can visual representations of data replace reading and reflection?

With knowledge representations, tools can create new relationships with the text.

This problem can be solved through the unification of Web 2.0, the Semantic Web and Digital Libraries to form Semantic Digital Libraries.


Help Guide ARLIS/NA for the Next 5 Years!

Just a reminder — only one week left to sign up!

The Strategic Planning Committee is specifically targeting ArLiSNAP to provide feedback that will impact the future of the society! Please consider taking part in the ArLiSNAP Focus Group:

Tuesday, April 12 3:00 – 4:00pm

To sign up please contact Barbara Rockenbach, barbara.rockenbach [at] yale [dot] edu


Defining the Digital Humanities event at Columbia University

What do digital humanities scholars see as the potential of this interdisciplinary field?

Find out.

Defining the Digital Humanities
Wednesday, April 6, 2011, 12:00-2:00 PM
555 Lerner Hall, Morningside

Guests who do not have a Columbia University ID must RSVP to kp2002@columbia.edu by Tuesday, April 5.

Panelists include Dan Cohen, Director of the Center for History and New Media at George Mason University; Federica Frabetti, Senior Lecturer in the Communication, Media and Culture Program at Oxford Brookes University, UK; and Dino Buzzetti, Professor Emeritus of Philosophy at the University of Bologna. More information.

RESEARCH WITHOUT BORDERS EVENT SERIES

The Scholarly Communication Program at CU Libraries/Information Services presents a speaker series for the 2010-11 academic year on today’s pivotal issues in scholarly communication.

Join us for the third year of events exploring changes in how scholars and researchers create, share, reuse, and preserve new knowledge. The series is free and open to the public.

For more info, email Kathryn Pope at kp2002@columbia.edu, or visit http://scholcomm.columbia.edu.

Follow the events remotely on Twitter at http://twitter.com/ScholarlyComm.


Final Conference Impressions

By Monday, the crowds and familiar faces had thinned out significantly. On Monday morning, I was fortunate enough to attend the ‘Up Close and Hands On’: Minnesota Center for the Book Arts tour with a small group of Conference attendees. According to the Center’s website, it is “the largest and most comprehensive center of its kind in the nation”. In addition to studio spaces for artists, there is also a cafe, a gift shop, space for exhibitions, offices, and a library and archives. Early on, we were shown the Center’s collection of in-use Vandercook Presses (http://vandercookpress.info/), which were beautiful machines indeed. A variety of letterpress techniques were also discussed and demonstrated. Later, Executive Director Jeff Rathermel provided details about their small but well organized library, which has reference materials available to members and instructors and uses the Library of Congress Classification system. There is also an archives that includes rare books, prints, broadsides, ‘zines, and artists’ books. With a collection of around 400 artists’ books, the Center has been cataloging them by looking at models such as the Flasch Collection at the School of the Art Institute of Chicago (http://digital-libraries.saic.edu/cdm4/index_jfabc.php?CISOROOT=/jfabc) for guidance. At the same time, Rathermel noted that they are “breaking more rules than they are following, but want to know which rules they’re breaking”.

More info about the Minnesota Center for the Book Arts can be found here: http://www.mnbookarts.org/

To those who attended this year’s Conference — have a great year!

 


ArLiSNAP Housekeeping and Updates

Hi all,

You’ll probably notice a few changes in the coming weeks as we refresh the blog’s look and functionality. Suzanne and myself will be working hard to incorporate new streams of information and useful resources into the site in order to help you find more jobs, more educational opportunities, and more discussion within the art librarian community.

Things will be a bit jumpy as all the pieces settle into place but hopefully the ArLiSNAP site will emerge with a renewed sense of dedication and exploration, along with a bit of visual flair.

As always, we are looking for contributors and participants. If you’re interested, email us! And speaking of email, Suzanne will be sending out a call for specific point people to help with postings, webmaster responsibilities, and discussion coordinators. Keep your eyes open for that and stay in touch with suggestions for how we can better serve you.

Cheers,

Rosemary K. J. Davis
ArLiSNAP Co-Coordinator 2010-2012


ARLIS/NA Seeking ArLiSNAP Input!

The Strategic Planning Committee would once again like to thank those who responded to the survey on the proposed goals and objectives. We had an amazing number (160) of members respond. If you are interested in seeing that feedback and the resulting revised draft of the Goals and Objectives, please visit http://www.arlisna.org/organization/com/stratplan/index.html. For those of you attending the Annual Conference next week, a strategic planning report and Q & A is scheduled during the Membership meeting.
To gather more feedback, the Strategic Planning Committee will be holding five virtual focus group meetings. We would like to invite you to participate in helping the Strategic Planning Committee finalize the strategic goals and initiate an action plan. You may have already offered your feedback via the survey. We would now like to speak with you in more detail about the feedback we have received. Your involvement will require only one hour of time to participate on a conference call along with eight to ten of your peers during the week of April 11-15 or April 18-22.
Two focus groups will be targeted to ArLiSNAP and to our Liaisons to Affiliated Organizations. Those sessions will be held:
ArLiSNAP Tuesday, April 12  3:00 – 4:00pm
Liaisons  Thursday, April 14  3:00 – 4:00pm
To sign up for one of these sessions please contact Barbara Rockenbach, barbara.rockenbach [at] yale [dot] edu

ArLiSNAP’s Next Coordinator Suzanne Walsh

Please join me in welcoming Suzanne as Art Library Students and New ARLIS Professional (ArLiSNAP)’s next coordinator.  Ms. Walsh will succeed Bryan Loar after his two-year term ends in March.  With ArLiSNAP’s momentum building, Ms. Walsh and other current coordinator, Rosemary Davis, are poised to take the group to the next level.

Ms. Walsh received her Bachelor of Arts in art history from Williams College, her Master of Arts in art history, and her Master of Library Science from the University of North Carolina at Chapel Hill.  She currently works as an independent consultant in New York City.

Ms. Walsh contributed to the success of the 2010 Art Libraries Society of North America Web 2.0 Kiosk, and she will be presenting on social media at the Engaging New Technologies session at the 2011 joint conference for the Visual Resource Association and the Art Libraries Society of North America.

A special thanks goes to all the candidates who submitted their candidacy to this year’s election.  Thank you for offering your service, and we hope that you will remain involved in other capacities.

If you’d like to get involved, please join us at our joint ArLiSNAP + VRA annual meeting.  Not going to the conference?  We’ll be discussing initiatives for the upcoming year and announcing ways that you can become involve.

Sincerely,

Bryan Loar

ArLiSNAP Coordinator 2009-2011

ARLIS/NA Membership Chair 2010-2011

About the Art Libraries Society of North America
Founded in 1972, Art Libraries Society of North America (ARLIS/NA) is devoted to fostering  in art librarianship and visual resources curatorship.  The Society is a dynamic and diverse organization, representing over 1,000 individuals and organizations spanning the United States, Canada, Mexico, and overseas.  For more information, please visit arlisna.org.

About Art Library Student and New Professionals
Art Library Students and New ARLIS Professionals (ArLiSNAP) is a special interest group within ARLIS/NA.  The group’s mission is to provide an open forum for sharing ideas pertinent to art librarianship amongst its constituency and the world beyond.  For over seven years, ArLiSNAP has continuously provided ARLIS/NA with thought leadership and innovative programming.  For more information, please visit, arlisnap.org.


ArLiSNAP Supporters, THANK YOU!

ArLiSNAP Section Petition

Dear ArLiSNAPers,

Thank you so much for showing your support of ArLiSNAP’s drive to become a petition!  Your active participation and comments are humbling & inspiring.  We look forward to speaking with you at this year’s conference and collaborating with you throughout the year.

Sincerely,

Bryan Loar & Rosemary Davis


Reminder: Vote for ArLiSNAP’s Next Coordinator!

ArLiSNAP Coordinator Vote

Thanks to everyone who has voted!

For those who haven’t, please take a moment to get to know our candidates & cast your vote before 11:59 p.m. Sunday March 20.

Cheers,

Bryan Loar & Rosemary Davis


Elections: ArLiSNAP Coordinator 2011-2013 Vote!

ArLiSNAP Coordinator Vote

Vote today to elect ArLiSNAP’s next coordinator!

http://www.surveymonkey.com/s/FNXWH38

To learn more about each candidate, please go to http://arlisnap.org/2011/02/28/arlisnap-coordinator-2011-2013-sought/


Shop ArLiSNAP!

Look clever & snappy with ArLiSNAP gear.

A number of members have asked where they can find ArLiSNAP gear.  Well, the answer is at

http://www.cafepress.com/arlisnap

We have t-shirts, buttons, bags, & more.  All the items are sold at cost.  So, the prices are the absolute lowest.  Happy shopping :)


ArLiSNAP Annual Report 2010

Annual Report 2010

Art Library Students and New ARLIS Professionals (ArLiSNAP)
Submitted by Co-Moderators

Bryan Loar
SC search consultants
Phone: 614-939-4240
E-mail: bryan [at] theloars [dot] com
Rosemary Davis
Pratt Institute
Email: rosemary [at] warmsilence [dot] org

The ArLiSNAP special interest group continued to innovate over the last year.  From outreach to new and existing ARLIS/NA members to various initiatives created in response to ArLiSNAP member desires, ArLiSNAP continues to position itself as an indispensable resource for art library students and new professionals.

At the 2010 annual ArLiSNAP meeting, coordinators Bryan Loar and Tracy Bergstrom solicited member feedback via a paper-based survey.  The survey was also posted online using a Google document form.  In 2011, the survey will be given again by Bryan Loar and Rosemary Davis, and there will be an emphasis on timely analysis.

In response to suggestions at the 2010 meeting, ArLiSNAP moved their presence on Facebook from a group to a page.  By doing so, ArLiSNAP automated the redistribution of blog postings to Facebook.  While Facebook’s native RSS feed import within Notes proved challenging, the use of RSS Graffiti solved importing issues and allowed ArLiSNAP coordinators to track statistics.  ArLiSNAP sent a message to the group’s members two weeks before the group’s closure indicating the need to join (i.e. “like”) the new page.  The new page was promoted on ArLiSNAP’s blog and ARLIS-L, and the effort grew the number of members by over 50.

This year’s annual ArLiSNAP meeting will be historic. On Sunday, March 27, ArLiSNAP will hold a joint meeting with student and new professional members of the VRA.  The meeting will be a forum for students and young professionals to talk about the problems, plans, and pleasures of the academic and professional worlds.  The joint meeting will give members of both organizations the opportunity to discuss potential collaborations between art librarians and visual resource curators.  So that the VRA members may solidify their own group, ArLiSNAP will also share best practices.  ArLiSNAP will also query participants to determine what kinds of new services, events, and educational opportunities are most important to emerging and developing professionals.

In 2011, ArLiSNAP initiated the process to transition from a special interest group to a section.  By becoming a section, ArLiSNAP will further solidify its incorporation into the Society and be empowered to provide a greater number of resources for its constituency.  In order to petition the transition in March, ArLiSNAP will solicit at least 30, hand-written signatures from current ARLIS/NA members at the joint VRA + ARLIS/NA conference.  Additionally, as an act of solidarity, ArLiSNAP will offer ARLIS/NA members an unofficial, online petition through Care2’s thepotitionsite.com.  Currently, online petitions are not supported by ARLIS/NA bylaws; however, the Board will be reviewing this policy in the upcoming 2011-2012 term.

ArLiSNAP has again supported the New Voices in the Profession session at VRA + ARLIS/NA’s annual conference. The New Voices panel is a truly collaborative effort this year–it features the Gerd Museham Award winners from 2010 and 2011, a speaker chosen by the Education Subcommittee of the VRA, and a fourth presenter chosen by the ARLIS/NA Professional Development subcommittee and ArLiSNAP.   Rosemary Davis worked with Maggie Portis, Assistant Librarian at the New York School of Interior Design, to review essays submitted by students and young professionals from all over the country.  The chosen speaker, Kathryn Pierce, is an IMLS Preservation Fellow, at the University of Texas at Austin School of Information.  She will present a paper entitled, “You Need More Fingers Than Ten: Collaborating to Document Architectural Practice”.  ArLiSNAP looks forward to participating in the panel selection again next year and highlighting emerging stars in the field.

Touchpoints with new and renewing members continued to play a key role in solidifying ArLiSNAP’s presence within ARLIS/NA.  As a result of notifications sent by TEI to Bryan Loar regarding those members interested in ArLiSNAP, the group was able to significantly raise awareness of ArLiSNAP through our standardized email response.  In all, over 300 responses were sent out, prompting additional dialogue with a number of ARLIS/NA members.

The feasibility of being hosted by TEI, ARLIS/NA’s management company, was further investigated.  Bryan Loar, also ArLiSNAP’s Senior Site Administrator, has been in contact with TEI’s management, and he was told in 2010 that hosting WordPress was not feasible due to TEI’s IIS servers.  However, In February, 2011, one of the senior members of TEI indicated that recent upgrades may allow WordPress.  Bryan will continue to research in March and report to ArLiSNAP members.

ArLiSNAP has again provided resources for first-time conference attendees.  ArLiSNAP’s conference survival guide wiki (http://snapconference.pbworks.com) was updated with new graphics and content related to the joint VRA & ARLIS/NA conference in Minneapolis.  It is hoped that corresponding brochures will be distributed at the conference’s First Time Attendee Orientation as well as through the information desk near registration.

ArLiSNAP also organized the conference pub stop, now in its 6th year.  This year’s location is still to be determined.  Promotional graphics were designed by Bryan Loar, and the event was publicized on ARLISN/NA’s Facebook page, VRA’s Facebook page, and on ArLiSNAP at http://arlisnap.org/2011/02/24/arlisnap-pub-stop-2011.

ArLiSNAP Site Statistics as of Monday, February 28, 2011
Total Unique Members: 107
Average Site Hits per Day 2010: 89
Total Site Hits for the Year 2010: 32,422
Total Average RSS Feed Subscribers from WordPress and Feedburner: 157
Total Email Subscribers from WordPress and Feedburner: 72


ArLiSNAP Section Petition

Dear ArLiSNAPers,

For over seven years, Art Library Students and New ARLIS Professionals (ArLiSNAP) has provided students, new professionals, and even seasoned ARLIS/NA members a forum and a platform to discuss challenges and to promote opportunities for our next generation.

As you know, ArLiSNAP enriches the Society by providing valuable programming and support to annual conference sessions and services.  ArLiSNAP is or has been involved in New Voices in the Profession, Backpack to Briefcase,  Hot Topics for Librarians in the Arts, Trends in Technologies and Services in Libraries, Engaging New Technologies, Web 2.0 Kiosk, What-to-Expect webinars, and resume workshops.  ArLiSNAP provides levity and comradeship with our annual Pub Stop, now in its seventh year.  And a number of current and former members have taken on important leadership roles within the Society.

Now we need your help.  ArLiSNAP is formally petitioning to change its classification from an ARLIS/NA Special Interest Group (SIG) to a Section. By doing so, ArLiSNAP will become more integral within the Society and be able to provide an even greater level of service.

ArLiSNAP members will formally collect at least 30, hand-written petition signatures at this year’s annual conference.  However, informally, we’d like to invite you to easily show your support right now at

http://www.thepetitionsite.com/1/arlisnap-section/

Thank you for your continued support of ArLiSNAP.  Without it, we would not be able to provide ARLIS/NA’s next generation with the community, innovation, and empowerment necessary to be successful professionals and Society advocates.

Sincerely,

Bryan Loar and Rosemary Davis

ArLiSNAP Coordinators


VRA + ARLIS/NA Conference Survival Guide

Get tips on networking, stretching your dollars, & orienting yourself for this year’s conference.  Although historically geared towards ARLIS/NA members, many will find the information useful for our joint conference.

http://snapconference.pbworks.com


Elections: ArLiSNAP Coordinator 2011-2013 Sought

CAST YOUR VOTE HERE

(Polls Close at 11:59 p.m., Monday, March 21st)

Art Library Students and New ARLIS Professionals (ArLiSNAP) seeks candidates for its next  Coordinator.

The Coordinator position is an opportunity for a student or new professional (graduated 2006 or later) to develop their leadership skills while providing a valuable service to ARLIS/NA.

ArLiSNAP’s next Coordinator will serve a term of two years beginning Monday, March 28th, and the individual will serve along with ArLiSNAP’s current 2010-2012 coordinator, Rosemary Davis.

Coordinator responsibilities include advancing the concerns of students and new professionals within ARLIS/NA, facilitating special projects, and organizing ArLiSNAP’s annual meeting activities for the national ARLIS/NA conference. The future coordinator will be heavily involved with the administration of the ArLiSNAP site and will serve as a representative and liaison between ArLiSNAP and other groups within, and outside, ARLIS/NA.  Candidates do not need to be present at the Minneapolis meeting in order to run.

For more information and to submit your candidacy, please visit ArLiSNAP at www.arlisnap.org

To announce your candidacy, please comment on this post with a short biography, including the merits you would bring to this position, your professional or educational experience, and your thoughts on future goals for students and new professionals within ARLIS/NA.  Please post your candidacy by Sunday, March 13th.

Elections will be held using SurveyMonkey from Monday, March 14th through Monday, March 21st. The results will be announced on Tuesday, March 22th.

If you have questions about the position or the election, please feel free to contact current coordinators,  Bryan Loar or Rosemary Davis.

CAST YOUR VOTE HERE

(Polls Close at 11:59 p.m., Sunday, May 16th)


ArLiSNAP Pub Stop 2011

Calling on all volunteers & those who know Minneapolis!

We need your help for ArLiSNAP’s next pub stop. We’re looking for a destination that can handle up to 30 librarians who enjoy libations. Last year’s participants estimated around 25. Might we have more when mixing with VRA?

We’ve chosen Saturday, March 26th as the best night for the stop. We call it a “stop” because, over the years, the crawl of multiple different locals has given way to relaxing with good company at just one spot. Of course, the more adventurous are free to move on. We’ll provide a customized Google map for those going to the chosen bar and add other suggestions for the pioneering.

Please make your suggestions below in the comments.

Sláinte!


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