CAVRACON at UCSB June 16-17th, 2011

THE NORTHERN AND SOUTHERN CALIFORNIA CHAPTERS OF THE VISUAL RESOURCES ASSOCIATION cordially invite you to the California Visual Resources Association Conference, also known as CAVRACON, which will be held Thursday, June 16th and Friday, June 17th, 2011 at the University of California, Santa Barbara.

Website: https://sites.google.com/site/cavraconference/

CaVraCon will provide workshops, presentations and demos dealing with the many aspects of creating, managing and maintaining digital image collections, as well as the opportunity to network with both emerging professionals and veterans of the field.

The conference will be open to any interested parties regardless of organizational or institutional affiliation.  Check the above site for registration information.

HIGHLIGHTS INCLUDE: 

Patricia Harpring (Managing Editor Getty Vocabulary Program)
Developing local authority files for the CCO/CDWA categories and a discussion of CONA

Megan Marler (ArtSTOR, Senior Analyst for Strategic Initiatives)
ArtSTOR?s Shared Shelf

George Helfand (Luna Imaging, Inc., Account Manager)
Expanding Your Scope: A Workflow for Adding Books to a Digital Image Collection

Greg Reser (UCSD, Metadata Specialist) and Sheryl Frisch (CalPoly, San Luis Obispo, Visual Resource Specialist)
The VRA Custom XMP Info Panel: How do I use it?

Jan Eklund (UC Berkeley, Business Systems Analyst, IST Data Services) and Chris Hoffman (UC Berkeley, Manager of Informatics Services, IST Data Services)
Deploying CollectionSpace for a VR Collection

Tom Moon (UCSB Library, Digitization Unit Manager)
Structuring Workflows: implementing new procedures without disruption

Lois McLean and Rick Tessman (McLean Media, Content Clips)
Content Clips, An Online Tool for Teaching with Digital Images

Dr. James Bartholomay Kiracofe (Director, Inter-American Institute for Advanced Studies in Cultural History)
Images for Education, On the road with an academic photographer

As well as a Plenary by the Visual Resources Association President, Maureen Burns (IMAGinED Consulting), Case Studies, tours and more!

Things to bring: flip-flops, laptops and business cards.
Please send questions to John Trendler <john.trendler@scrippscollege.edu>
We look forward to seeing you!


Defining the Digital Humanities event at Columbia University

What do digital humanities scholars see as the potential of this interdisciplinary field?

Find out.

Defining the Digital Humanities
Wednesday, April 6, 2011, 12:00-2:00 PM
555 Lerner Hall, Morningside

Guests who do not have a Columbia University ID must RSVP to kp2002@columbia.edu by Tuesday, April 5.

Panelists include Dan Cohen, Director of the Center for History and New Media at George Mason University; Federica Frabetti, Senior Lecturer in the Communication, Media and Culture Program at Oxford Brookes University, UK; and Dino Buzzetti, Professor Emeritus of Philosophy at the University of Bologna. More information.

RESEARCH WITHOUT BORDERS EVENT SERIES

The Scholarly Communication Program at CU Libraries/Information Services presents a speaker series for the 2010-11 academic year on today’s pivotal issues in scholarly communication.

Join us for the third year of events exploring changes in how scholars and researchers create, share, reuse, and preserve new knowledge. The series is free and open to the public.

For more info, email Kathryn Pope at kp2002@columbia.edu, or visit http://scholcomm.columbia.edu.

Follow the events remotely on Twitter at http://twitter.com/ScholarlyComm.


Museum Computer Network 2010 – Call for Proposals

The MCN (Museum-Computer Network) annual conference will take place in Austin, Texas Oct 27-30, 2010 and proposals are now being accepted.

The conference theme is I/O: The Museum Inside-Out/Outside-In and includes topics such as
  • Behind the scenes and transparency in the museum
  • Commons and digital collections
  • Igniting the Imagination: building communities locally and globally, on-site and online
  • Open Source, Open Content, Open Learning
  • User-generated and museum content: quality, trust, reputation and relevance
  • Integrated communication strategies in print and online
  • Bridging the Digital Divide
Examples of presentation formats:
  • Individual Paper: 20-30 min presentation
  • Case Study Showcase: 5 minute presentation followed by break-out discussions
  • Complete Panel: 3-4 presenters united by a common theme
  • Roundtable: moderated discussion of a theme without formal presentations by panelists
  • Unconference Session: ad hoc & informal, unconference sessions allow us to address very focused topics and specific needs

Deadline: May 3

For more information visit http://www.mcn.edu/conferences/index.asp?subkey=2778


LoC and MS Silverlight

more about "LoC and MS Silverlight ", posted with vodpod


Free Digital Asset Management Webinars in January and February 2010

This sounds like an interesting webinar series for anyone working with visual / image resources and other digital assets in library, museum, and nonprofit / corporate settings.  And the series is FREE!

*****

Earley & Associates presents a free 4-part Jumpstart webinar series dedicated to the strategic, organizational and technological challenges of Digital Asset Management (DAM). The series of 90-minute weekly webinars begins with laying the groundwork for building the business case for DAM, and subsequent sessions tackle marketing resource management, optimizing creative workflows, and the impact of taxonomy on asset reuse. We will close with an overview of the DAM vendor landscape, including tool selection considerations and the vendor selection process.

Dates: Thursdays, January 14-February 4, 2010
Time:  1:00-2:30pm Eastern
Cost: Free

For session details and registration, please visit: http://bit.ly/63jfhn


Free Webcasts from the MCN Annual Conference

Interesting (and FREE!) professional development opportunity:

The Museum Computer Network is pleased to announce that five MCN 2009 sessions will be webcast live, free of charge. MCN 2009 takes place week after next in Portland, Oregon.

The webcasts will be on Thursday and Friday, November 12 and 13. We’ll use Twitter to harvest online questions during Q&A in those sessions, which are:

Museum Data Exchange

Tweets to Sweeten Collaborations for Archives, Libraries, and Museums

Libraries, Archives, and Museums: From Collaboration to Convergence

Ramping Up while Scaling Down: Strategic Innovation in Challenging Times

2009 Conference Roundup Roundtable

http://www.mcn.edu/mcn2009online has more information.
Short URL http://bit.ly/mcn09oL leads to the same page.


libraries and e-books

Libraries and Readers Wade Into Digital Lending

A recent article in the New York Times highlights ways that libraries are providing access to e-books and digital audio books for their patrons. E-books are certainly gaining in popularity at my institution. Most students actually seemed relieved when a book is online because that means they won’t have to brave the stacks at a large university library!


Who’s using Twitter?

Interesting piece in the New York Times about social networking tools and user demographics:

As the Web grows up, so do its users, and for many analysts, Twitter’s success represents a new model for Internet success. The notion that children are essential to a new technology’s success has proved to be largely a myth.


Serendipity, Lost in the Digital Deluge

Is the digital age stamping out serendipity? New web services are trying to balance information management with randomness.


“Orwellian” Kindle Deletions: Legitimate Copyright Kerfuffle, Giant Yawn, or Teachable Moment?

Last week, Amazon remotely deleted copies of George Orwell’s 1984 and Animal Farm from users’ Kindles.  As it turns out, the ebook publisher selling the editions didn’t actually own the rights for these works.  As one could imagine, the blogospheric reaction to this event has been a mixture of smirking irony, outrage, confusion, and lots of I-told-you-so.  (See the first link above for an excellent overview of the reaction.)

I had a quick succession of thoughts while reading about the deletions:

  • ZOMG!  Jeff Bezos is stealing your stuff!
  • Um, you bought an unauthorized ebook from a shady publisher.  Why are you so surprised?
  • Wait, how were you supposed to know the publisher was shady?
  • Huh, remote deletion wasn’t in the terms of service.  But who reads those anyway?
  • How can consumers avoid this in the future?

Any ideas for how to address this event with our users?  It seems like a great opportunity to talk about DRM, reading legalese before you buy/agree, copyright terms, applying information literacy beyond books, etc.

And as librarians, how can we use news items like this to our advantage?  What knowledge and services do we provide that could be particularly relevant in situations like this?


Mobile Technologies

At my institution, we’re doing a fair amount of thinking about mobile technologies. We have a text-a-librarian service, and a really nice iphone interface for the library catalog. But as we think towards a future of Palm PREs and 3G networks, I can’t help but wonder… is the world of art librarianship ready? Try, for example, searching ARTstor on a mobile device (or even a netbook). Even the Kindle is not particularly suited toward viewing images (let alone *using* those images in a research context).

So… what do you think? Where do we need to go in order to be ready for a mobile research world? Are there examples that we could follow? Are there things that we should push for as a profession? I’d love to hear other thoughts.


A (brief!) Review of the Kindle DX

Courtesy of the Gadgetwise Blog at the New York Times:

When I reviewed the Kindle 2 in February, I wasn’t sure if I was ready to get on the e-book bandwagon. Still, I found it to be convenient and just the right size to fit in my handbag. It at least felt like a book. But after toting around the Kindle DX, it suddenly feels as if I am carrying a computer.


Twitter in the (Art) Library

As I’m sure we’ve all heard, Twitter is The Next Big Thing. This micro-blogging site allows you to post 140-charater messages to your “followers” and in turn follow the “tweets” of others.

The New York Times has published several great pieces about Twitter in the last few weeks:

After reading all that, I’m sure you’re asking how this shiny new Web 2.0 tool could become a Library 2.0 tool. Here are a few examples of twittering libraries:

So what do you think? What can art, architecture, and visual resources libraries do with Twitter that perhaps hasn’t been possible before? How does tweeting support our basic mission(s)? Know of a particularly good example of libraries or librarians using Twitter? Let’s talk about it (and more) in the comments below.


Big-Screen E-Readers and the Future of Newspapers

Interesting piece in the New York Times about larger e-readers and their potential for reading newspapers and magazines:

The screens, which are currently in the Kindle and Sony Reader, display no color or video and update images at a slower rate than traditional computer screens. That has some people in the magazine industry, in particular, keeping their hopes in check until E Ink evolves.

“I don’t think we would be anywhere near as excited about anything in black and white as we would about high-definition color,” said Tom Wallace, the editorial director of Condé Nast, publisher of glossy magazines like Vogue and Wired. “But technology changes at a pretty high clip these days, and if we are now in the Farmer Gray days, it will be only a very short while until we are in the video game era.”


LITACamp

from ALA communications:

Have you ever been “speed-geeking”? Been struck by “lightning-talks”? Join your colleagues and our keynoters Joan Frye Williams and John Blyberg at the first-ever, LITACamp, “The Everywhere Library: Creating, Communicating, Integrating,” May 7-8 in Dublin, Ohio.

LITACamp is all about you. Participants determine the topic and format of the sessions on-site, sign up for time slots, and pitch session ideas to all. This format encourages collaboration, interaction, discussion, and real-time innovation. You get to be both a participant and a presenter, discussing and learning about topics you really care about.

The daily keynoters Frye Williams and Blyberg are both known for pushing library technology to directly serve patrons. Their presentations will be designed to stimulate discussions and ideas and energize each days’ sessions.

To register visit www.lita.org/ala/mgrps/divs/lita/litaevents/litacamp/index.cfm
Registration includes Thursday lunch, continental breakfasts, parking and wifi at the conference center and is limited to the first 150. Visit
LITACamp wiki http://litacamp.pbwiki.com and
LITACamp blog http://litacamp.blogspot.com
for the most up-to-date information on the Camp.

LITACamp will be ideal for anyone interested in using technology to improve services and access for patrons. Librarians, information technologists, students and trustees from the user-centered information community are all encouraged to attend this un-conference focused on timely discussions of current library issues as determined by the participants themselves.

LITA, with over 4,000 members, has been serving the needs of the library and information technology community since 1966. Its mission is to educate, serve, and reach out to that community through its programs, publications and other activities. LITA is a division of the American Library Association.


Emerging job trends: Digital Archivists

Thought this article published in this past Saturday’s NY Times might be of interest to folk:

Digital Archivists, Now in Demand

WHEN the world entered the digital age, a great majority of human historical records did not immediately make the trip.

As preservation officer at U.C.L.A., Jacob Nadal safeguards materials (digital and analog) in its collection.
Literature, film, scientific journals, newspapers, court records, corporate documents and other material, accumulated over centuries, needed to be adapted for computer databases. Once there, it had to be arranged — along with newer, born-digital material — in a way that would let people find what they needed and keep finding it well into the future. <more>


Search Flickr by Color

Idee Labs has come up with a way to search Flickr images by color.  It’s fun to play with, but might also make some visual resources folks think a bit.  We already know that people don’t always search for images by content, and that there are plenty of images that just aren’t easily findable through keyword searches.  What if you could find your Rothko images this way?

Check out the multicolor search, as well as others, at:

http://labs.ideeinc.com/


Common Craft

Have an internet connection & want an easy way to explain social technologies, etc.?  Then try Common Craft.

Common Craft is a consulting company that makes short, instructional videos in an engaging, lo-fi way.

(note: I was going to include their wiki explanation, but I thought there are other social event planners that do a better job for their example.)


PicLens

Here is a really exciting browser plug-in that makes Flickr and other image sites a lot more fun to view. It could potentially be used for presentations. Pulling images from the hard drive is not officially supported yet, but there is a way to work around this in FireFox. (Thanks to Arno Bosse for introducing me to this plug-in!)

From the PicLens site:

Think beyond the browser

PicLens instantly transforms your browser into a full-screen, 3D experience for viewing images on the web. Photos will come to life via a cinematic presentation that goes well beyond the confines of the traditional browser window. With PicLens, browsing and viewing images on the web will never be the same again.

NEW! Immerse yourself in 3D Style.

Our new interactive “3D Wall” lets you effortlessly drag, click, and zoom your way around a wall of pictures for an extraordinary, full-screen viewing experience. Why mundanely flip through online photo galleries or squint at thumbnails from Google Image Search when you can fly through an immersive, full-screen experience instead? Learn more.


Watch the World Speak

David Troy, master of the mashup, has created two very addicting sites–Twittervision and Flickrvision.

In both cases, the mashup is between Twitter/Flickr + Google Maps.  Because it is animated, it gives it a feel of immediacy and dynamism.


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